Don giovanni how many acts

He invites everyone to enter his castle to eat and drink. But he detains Zerlina, to the annoyance of the jealous Masetto, who is finally persuaded to go with the others. Seduced, Zerlina agrees, but Donna Elvira reappears, warns the girl against him, and takes her away.

Donna Anna and Don Ottavio arrive. Not realizing that Don Giovanni is the man who murdered her father, Anna seeks his help. Donna Elvira returns and tries to tell the others what kind of man he really is, but Don Giovanni tells them that Elvira is mad and takes her away. But Donna Anna has realized, from his voice, that Don Giovanni was her attacker. Don Giovanni and Leporello reappear. Leporello tells him how he got the villagers drunk and managed to lock Elvira out of the house to boot.

Masetto relents, but when they hear Don Giovanni approaching, Zerlina becomes agitated and Masetto, suspicious, hides to watch them together. Don Giovanni renews his attentions and tries to draw her aside into the very place where Masetto is hiding.

The Don, quickly recovering from his surprise, blithely explains to Masetto that Zerlina missed her husband, and takes the couple off. Don Giovanni and Leporello, not recognizing them, invite them to the party. As the guests dance, Don Giovanni continues his advances to Zerlina. He heartily welcomes the masked trio. Using Leporello as a shield, Don Giovanni escapes. Leporello threatens to leave Don Giovanni, but is persuaded to stay with a purse of money.

Don Giovanni has a plan: Leporello is to pretend to be him and entice Elvira away, leaving Don Giovanni, dressed as Leporello, free to seduce her maid. They exchange clothes. Based on the story of Don Juan, Don Giovanni follows an irresistible yet irresponsible and amoral youth who is loved by women almost as universally as he loves them. The opera opens with Leporello waiting outside a house for his master, Don Giovanni. A masked Giovanni rushes out of the house pursued by Donna Anna, and her awakened father the Commendatore tries to defend his daughter.

A duel ensues and Giovanni kills the Commendatore. The next morning, Giovanni and Leporello encounter Donna Elvira, who is seeking the man who betrayed her. Giovanni, the culprit, tries to console her before realizing her identity. Giovanni sends the wedding party to his home while he flirts with Zerlina. Anna and Ottavio arrive and ask Giovanni for his assistance in finding the man who killed the Commendatore, unaware of his identity.

Anna, Ottavio and Elvira appear at the house in masks and are invited to join the party. At the party, Giovanni leads Zerlina to another room. She screams and everyone rushes to rescue her. Leporello is too afraid and trembles as the duet "Oh most noble statue" is sung. Subsequently, Don Giovanni himself invites it as the statue offers a nod of approval.

Next, Don Ottavio proposes marriage to Donna Anna, almost pressuring her. When she refuses, he accuses her of being unfaithful. Donna Anna belts out the aria, "Tell me not," professing her feelings towards him. In the following scene, Don Giovanni is seen reveling at his castle, with luxurious food and music. Leporello is exasperated and complains to his master as the finale "Already the table is prepared" is performed.

Donna Elvira appears at the scene, claiming she only feels compassion for Don Giovanni and profuses her feeling by singing, "The final proof of my love. Don Giovanni states that women and wine are the real glories of life, compelling her to leave. However, she is heard screaming in fear from the door. Leporello is sent to manage the situation, but he returns equally frightened. Don Giovanni himself opens the door and finds the statue of the Commendatore.

The statue offers him a final chance to rue his misdeeds, which he refuses. The statue duly disappears, as demons appear out of nowhere and drag Don Giovanni to hell. He narrates the whole incident and assures that Don Giovanni is gone for good. The mood changes instantly, as Don Ottavio and Donna Anna announce their future marriage. Donna Elvira decides to lead a secluded life as Masetto leaves for his home. Finally, Leporello leaves for the tavern in search of a better overlord.

All the characters narrate the moral of the opera "The end of an evildoer is such; the death of a sinner is always reflected in his life" as part of the curtain call.

The recitatives utilize continuous bass lines, equipped with improvised harmonies and also a familiar string section. Mozart also opted for the occasional musical effects. The ballroom scene in the first act uses two different onstage ensembles performing distinct dance music, albeit, synchronized with the orchestra. All group music is accompanied by dances of principal characters.

In act II, he further uses a mandolin, partnered with pizzicato strings. In the later stage of the second act, the Commendatore's interventions are accompanied by a chorale of trombones, bassoons, clarinets, and oboes. The string section is also prominent here, with basses and cellos. The opera is widely regarded as a part of Mozart's best creations, apart from being called one of the greatest operas of all time. The finale of the Opera has always been a captivating artistic and philosophical subject in the musical and literary world.

The deviation and insight of emotions are perfectly balanced with elan.